Aiyoku
Perfumer: Bartosz Puzio
Votes lean masculine
14 ratings
From your scent profile
Jan Barba Aiyoku is a unisex chypre that sets the freshness of vervain against the earthy depth of patchouli, oud and oakmoss.
Skunky's take: Like opening a window: the room feels lighter at once.
How does it perform?
From 14 community ratings, all out of 10.
Holds up through the day and fades gently toward evening.
People close to you notice, nobody gets overwhelmed.
Sits nicely on a shelf.
Most people feel it is worth the price.
Blind buy risk
79% of votes are positive and opinions barely differ.
Notes
They open one after another, from the first spray into the evening.
Top notesfirst 15 minutes
Accords
From most dominant to most subtle.
- Citrus
- Green
- Woody
- Resinous
- Earthy
- Leathery
- Chypre
What does Aiyoku smell like?
Released in 2020, Aiyoku is rated good for both longevity and sillage by those who voted, though the number of votes is small, so these ratings are only indicative. Its woody, earthy build sits as comfortably on a man's skin as on a woman's.
It opens citrusy and green, with vervain carrying that cool edge. In the heart, patchouli and oud come forward and the scent darkens. The base of oakmoss, vetiver, cedarwood and cypriol settles into a resinous, leathery, dry woodiness. Bartosz Puzio's green opening softens the heavier base.
How it changes through the day
First minutes
- Vervain
First hours
- Patchouli
- Oud
Towards evening
- Oakmoss
- Vetiver
- Cedarwood
When to wear it?
Seasons and occasions, by user votes.
- Daytime27%
- Sport18%
- Casual18%
- Evening18%
- Nighttime9%
- Office9%
Smells like this
The closest scents by notes and accords.
49% matchBon Zai
Ayala Moriel · 2001
48% matchJava
Agar Aura · 2021
44% matchVert Gothique / Oakmoss
Morris Motley · 2018
41% matchAéroplane
Detaille
40% matchPolo Crest (Eau de Toilette)
Ralph Lauren · 1991
40% matchSeries Luxe: Patchouli (Eau de Toilette)
Comme des Garçons
40% matchMacassar (Eau de Toilette)
Rochas · 1980
40% matchPatchouli (Eau de Toilette)
Lorenzo Villoresi · 1996
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